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A series of stories following a week in the life of a philandering paparazzo journalist living in Rome.
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This week, “Parasite” received six Oscar nominations; this weekend, Neon will place Bong Joon Ho’s film in 843 theaters. Its widest release to date, concurrent with its introduction to home viewing, are timed to improve Oscar odds and maximize the already-stellar performance of the foreign-language arthouse movie.Full credit goes to Neon cofounders Tom Quinn and Tim League for their smart strategies, but what’s also notable is the context of its success. By today’s standards, it’s a near miracle; at another time, it would have been just another job well done. Here’s some perspective on its achievement:“Parasite” Defied 21st-Century OddsThe last major foreign-language hit was english movies 2018 online the French comedy “Intouchables,” at $10.2 million. Since “Amour” in 2012 ($6.7 million), only Wong Kar Wai’s “The Grandmaster” has even grossed $5 million (unless Netflix’s unreported “Roma” managed that; it likely came close). Recent successes like “Pain and Glory” ($4 million‘Little Women’ overtakes ‘Star Wars: The Rise Of Skywalker’ for second spot.RankFilm (Distributor)Three-day gross (Jan 10-12)Total gross to date Week 1 1917 (eOne) £7.3m £7.4m 1 2 Little Women (Sony) £2m £13.2m 3 3 Star Wars: The Rise Of Skywalker (Disney) £1.9m £54.9m 4 4 The Gentlemen (Entertainment Film Distribution) £1.71m £6m 2 5 Jumanji: The Next Level (Sony) £1.68m £31m 5Gbp to Usd conversation rate: 1.30eOneSam Mendes’ First World War epic 1917 has watch 2018 movie online free stormed the UK box office, with a £7.3m opening weekend taking it to the top spot.The feature took £7.4m including previews; it played in 684 locations, grossing £10,731 per location.1917 won best motion pictureThe great Italian director was born 100 years ago this month. What better time to stream his best work…Federico Fellini celebrates his 100th birthday on 20 January – in an inactive sense, admittedly, given that he left us back in 1993. It’s a centenary worth noting. Thirty years on from his last film, Fellini still feels like the first name in Italian cinema, the one laymen can remember even if they’ve never how can i watch movies online for free seen a frame of his work, and the one whose imprint – or many imprints, given his wild directorial evolution from stark neorealism to baroque stylisation – is most visible in the contemporary work of compatriots from Paolo Sorrentino to Alice Rohrwacher.The BFI is marking the milestone with a touring retrospective of Fellini’s work, though the BFI Player has some choice fare for those who can’t get to a cinema. The centrepiece of their selection, unsurprisingly, is La Dolce Vita,