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Country: France
Genre: Fantasy
Year: 2019

Plot
Haiti, 1962. A man is brought back from the dead to work in the hell of sugar cane plantations. 55 years later, a Haitian teenager tells her friends her family secret – not suspecting that … See full summary »

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Cannes–Variety honored its 10 Producers to Watch for 2019 at a brunch on Monday morning at Cannes’ Plage des Palmes.Launched at the Cannes Film Festival in 1998, the annual event fetes 10 producers from the U.S. and the international film community who share a common commitment to bold, original, provocative storytelling.The films produced by this year’s honorees have premiered on the Croisette and made waves in Sundance and Berlin, tackling challenging themes while offering a platform for diverse cinematic voices. Collectively they represent a dynamic community that is going to “regenerate, rejuvenate, revitalize cinema moving forward,” said stream full movies Variety’s executive VP of content Steven Gaydos.Katriel Schory, who is stepping down from the Israel Film Fund, was also honored with Variety’s Creative Impact Award. Under Schory’s stewardship of the fund, more than 300 feature-length films were produced in Israel, while the domestic audience grew from 100,000 to 1.5 million admissions per year.The Notebook is covering Cannes with an on-going correspondence between critic Leonardo Goi and editor Daniel Kasman.Zombi ChildDear Leo,Your last dispatch pinpointed works of social realist cinema here in Cannes, alongside free films to watch a quintessential art-house picture. I have no bias for or against any of these idioms, each and all can be used to make a great film, but often at festivals I long for the smarts for entertainment that genre cinema can promise. Genre movies exemplify in the most vivid sense a truism of the art of the cinema, that it relies on the building blocks of cliches, the language and toolkit of conventions and archetypes. Because of this, to expect most movies to do something new or fresh in some ways feels antithetical to the art, founded as watch full movies online it is on iteration and variation on shared popular ideas. To surprise an audience within the confines of expectationsThere are any number of horror films about “voodoo” magic and its colonialist underpinnings — Jacques Tourneur’s 1943 “I Walked with a Zombie” remaining the most formative example — but only Bertrand Bonello’s take on the subject includes an oral presentation on the life and times of Rihanna. It would be foolish to expect anything else from the firebrand director behind “House of Pleasures” and “Nocturama,” whose films see history as less of a forward march than an uneasy churn; his work obfuscates clearly delineated temporalities in order sites to watch movies online to emphasize that while everyone may live in the present the past is never really dead.As its title suggests, “Zombi Child” finds Bonello taking that idea to its logical and most literal conclusion. Not only does this time-hopping curio riff on the true-ish story of Clairvius Narcisse, a Haitian man who was said to have been turned into the walking dead, it